[76], In 2002, the band switched to a classically influenced art pop[77] style with the release of their album Lil' Beethoven, replacing the beat-driven synth-pop of their previous albums with complex orchestral arrangements. Carolco hoped Burton would start production in 1992, but he chose to work on The Nightmare Before Christmas and Ed Wood for Touchstone Pictures. They played Exotic Creatures of the Deep in its entirety at both gigs, followed by Kimono My House in its entirety on the first night and No. The show included a second half consisting of songs from Sparks' entire career, that were also orchestrated for the show. 1997 saw the release of Plagiarism, an album of cover versions of their own songs featuring collaborations with Faith No More, Erasure and Jimmy Somerville. [citation needed]. The earliest documentary listed is Fred Ott's Sneeze (1894), which is also the first motion picture ever copyrighted in North America. Known for their quirky approach to songwriting,[1] Sparks' music is often accompanied by sophisticated and acerbic lyrics, often about women or Shakespearean literature references,[2] and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Originally envisaged as a live-action film, in 2017, the Mael Brothers announced they were taking a new direction and developing Bergman as an animated feature film with director Joseph Wallace, who created the music video for their track "Edith Piaf (Said It Better Than Me)".[39]. Their singer Morrissey named Kimono My House as one of "his favourite LPs of all time". [93], According to Kurt Cobain's biographer Christopher Sandford, the Nirvana singer gave "specific references" when recording their first album Bleach: "the guitar part in 'Love Buzz' was lifted from Sparks' Kimono My House". [95] "I loved the way Russell Mael sung like a geisha, and that they were into wearing geisha clothes, as I was really into Japanese people". The band asked their fans to visit their website and vote for the track that they'd most like to hear the band perform during the second half of the 21st concert after the premiere of Exotic Creatures of the Deep, though Russell admitted that he and Ron would probably influence the poll a little. On August 14, 2009, the band premiered the radio musical The Seduction of Ingmar Bergman,[35] commissioned by the Swedish public radio (SR) and featuring the Mael brothers themselves and Swedish actors Elin Klinga and Jonas Malmsjö, both of whom worked with Bergman in his lifetime. In July they contributed a remix of sorts to singer Katie Melua's single, A Happy Place, calling it Sparks VS. Melua. [54] The alternative meaning behind the band's name "Franz Ferdinand / Sparks" was confirmed with a clip of the musicians playing "Chinese Whispers. "We'd sit in his bedroom for hours listening to them". Hits such as "This Town Ain't Big Enough for Both of Us", "Amateur Hour" and "Never Turn Your Back on Mother Earth" led to many appearances on the BBC's flagship music show Top of the Pops. Don't miss the latest deals, news, reviews, features and tutorials. The term documentary was first used in 1926 by filmmaker John Grierson as a term to describe films that document reality. [11] Both shows sold out and they received glowing reviews. An upcoming documentary looks to feature Kobe Bryant tribute murals across Los Angeles. BA1 1UA. Recently, they performed at the Glastonbury Festival John Peel Stage on 28 June 2015. In 2012 Ron and Russell collaborated with singer Gemma Ray who released a limited 12-inch single titled "Gemma Ray Sings Sparks (with Sparks)," which included Ray's covers of Sparks' "How Do I Get To Carnegie Hall" and "Eaten by the Monster of Love". With the release of Balls the band toured the UK, Germany, Japan and Australia. This is an alphabetical list of documentary films with Wikipedia articles. You will receive a verification email shortly. 1 in Heaven in its entirety on the second night. Of all four songs, "Computer Girl" was the least traditional. "Joe Elliott from Def Leppard who is a huge fan. [6] Also in this period, the duo appeared in the music video for the Darkness' Justin Hawkins's cover of "This Town Ain't Big Enough for Both of Us", in which Ron and Russell play the referee and MC at a darts match between Hawkins and darts champion Phil Taylor. "[97] John Frusciante of Red Hot Chili Peppers said that he used to listen to Kimono My House and Propaganda for Adrian Fisher's guitar playing adding, "I'm sure that it is Ron Mael who told him what to play".[98]. ", Easlea, Daryl (2009). The band toured in support of the album with percussionist Christi Haydon playing drums. It's not soulful, in the traditional rock way; It's not about "guts". ", "Sparks: Creating mischief again with their latest album", "Sparks to play an album a night in London", "Sparks "The Seduction Of Ingmar Bergman" – världspremiär i Radioteatern", "Sparks låter Bergman sjunga ut – Kultur & Nöjen – Sydsvenskan – Nyheter dygnet runt", "2011 Los Angeles Film Festival Announced First Round of Film Selections", "Groundbreaking rock band Sparks remains influential, 40 years after debut album", "Joyous nonsense and sly jokes: Sparks on new album Hippopotamus and upcoming musical film", "Gemma Ray sings Sparks (with Sparks) - How Do I Get To Carnegie Hall? A UK and European tour was scheduled for October. [5][10] The single also hit the Top 20 in Australia, reaching No. [91] Joey Ramone also mentioned his liking for their records,[92] as did later the group They Might Be Giants. For the encore of what may have been the final live date ever in America for Faith No More on December 1 at the Hollywood Palladium in Los Angeles, Ron and Russell Mael were invited by Mike Patton and Co. to perform the Sparks' classic hit "This Town Ain't Big Enough for Both of Us." [25] The release of The Seduction of Ingmar Bergman, a radio musical by Sparks, in August 2009, was informed by the six years the band spent trying to get their Mai, the Psychic Girl produced. In a conversation with a German journalist, they expressed their admiration for Giorgio Moroder, a pioneer of electronic disco and pop music. This led to the most dramatic change of style the band would attempt, when they teamed up with Giorgio Moroder, dropped the rock-group format altogether and produced the disco record No. [5] Similarly, on the same album, "Your Call Is Very Important To Us", uses a corporation style call-hold message: "Your call is very important to us. That was the beginning of getting interested in Giorgio Moroder". Sparks is an American pop and rock duo, originally formed as a Los Angeles band called Halfnelson in 1967 by brothers Ron (keyboards) and Russell Mael (vocals). Their eponymous debut album – with the line-up consisting of college friend Earle Mankey on guitar, Mankey's brother James on bass, Harley Feinstein on drums and Rundgren producing – sold poorly, but after switching labels to Warner Bros. Records and renaming themselves Sparks, a play on the Marx Brothers,[12] the re-issued debut spawned the minor regional hit "Wonder Girl". [18] The follow-up album in 1980, Terminal Jive, had a hit single in France, "When I'm With You", which led to the Maels' staying in the country for a year promoting the album, Russell became conversationally fluent in French. Thank you for signing up to Musicradar. Visit our corporate site. The band acknowledged this change in style on the album's opening track "The Rhythm Thief". [82] When they started playing music, singer Dave Gahan[83] and composer Martin Gore[84] of Depeche Mode cited them as one of their favorite bands. 7,[8] as did their next album, A Steady Drip, Drip, Drip, released in 2020, bringing their tally of UK Top 10 albums to four. (Computer Music, Future Music, emusician, Keyboard Magazine) 12 February 2021, Film focuses on the US and British electronic music pioneers. [3], Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music. This may be because the song was written without any regard for the vocal style of Russell Mael. The group showcased at the film festival in their quest for funding for the feature film version. Ron has always written Sparks' lyrics and never transposed them into a rock key for me to sing. Other notable acts that have mentioned Sparks include Def Leppard,[99] Ween,[100] Will Sheff of Okkervil River,[101] Mark Burgess of the Chameleons,[102] and Cait Brennan. ... People recalled meeting dead relatives, seeing bright lights or falling into a … Released in December 2015, GForce’s Bright Sparks documentary tells the story of eight electronic musical instrument pioneers. "[Sparks] were exotic [...], [they] were the most refreshing thing in my life" when she was eight. [10], The Maels returned home to Los Angeles in 1976. The band were not satisfied with the results, which they felt lacked personality, perhaps because of the reliance on session musicians. In June 2000, Sony Pictures Entertainment started on a different project with Kirk Wong attached to direct. [34] Each night, they performed an album in its entirety followed by a rare track – many of the songs had never been performed live before. Amongst the filmmakers cited as undertaking The Seduction of Ingmar Bergman with the Mael Brothers is Canadian avant-garde director Guy Maddin. [21] Francis Ford Coppola later developed the property in the late 1990s. The tour was titled "The Revenge of Two Hands One Mouth." [66][67][68], Sparks is involved in two 2021 film releases, as screenwriters and composers for the musical Annette, directed by Leos Carax and starring Adam Driver and Marion Cotillard, and in The Sparks Brothers, a documentary about their career directed by Edgar Wright. 1 in Heaven. [17] They performed the songs "Fill 'Er Up" and "Big Boy.". Now I can't imagine life without them". Sparks played in Los Angeles (The Fonda Theatre), New York City (Webster Hall), Fun Fun Fun Fest in Austin, Mountain Oasis Electronic Summit in Asheville, Atlanta, Boston, Washington D.C. (9:30 Club), Toronto, Montreal, Chicago, and Pontiac. In the disturbing video, which has since been deleted, Azealia was seen digging up the body of her pet. Sparks is an American pop and rock duo, originally formed as a Los Angeles band called Halfnelson in 1967 by brothers Ron (keyboards) and Russell Mael (vocals). [53] A short teaser of the FFS song, "The Power Couple", was released on the group's YouTube channel. Gore also later covered "Never Turn Your Back on Mother Earth" on his Counterfeit e.p. September 2 marked the debut of the new theme songs that Ron and Russell have composed and recorded for NPR radio's Bookworm show, broadcast in Los Angeles on station KCRW. Newsreader's optical illusion dress sparks debate over whether it's blue or white ... She then shared a snap of her wearing the dress under the bright … This version of "This Town" reached No. [62], In January 2020, Sparks announced the upcoming release of their new album, A Steady Drip, Drip, Drip, comprising 14 songs. After Balls, the band resurfaced in 2002 with the release of an album described as their "genre-defining opus"[6] – Lil' Beethoven, featuring quasi-classical arrangements of strings and choirs. They performed the album in its entirety at the Barbican Centre in London on 19 and 20 December. They performed their breakthrough Kimono My House album, followed by Lil Beethoven, both in their entirety. [96] Faith No More also mentioned the group and their performances. [69][70][71][72][73][74] The tour then continued to Europe, where they played three nights at Union Chapel in London (where Thurston Moore (ex-Sonic Youth joined them to play guitar on "This Town Ain't Big Enough for Both of Us" on one of the nights), as well as additional shows in the UK, Switzerland, France, Spain, and Sweden. They are also noted for Russell Mael's distinctive wide-ranging voice and Ron Mael's intricate and rhythmic keyboard playing style. There are actually several videos going up on the GForce Software YouTube channel. The song is a multi-section, multi-mood, highly layered track that many felt should have been a UK smash hit had the BBC not misinterpreted the title of the song as being other than it was. [48], In the fall of 2015 the title track from Angst in My Pants was used in a commercial for men's underwear by retailer Tommy John. All rights reserved. Please hold" which is then sung with some additional words: "At first she said your call is very important to us, then she said please, please hold." Stephanie Pappas 1/17/2021. The line-up now included former Faith No More guitarist Dean Menta in addition to Tammy Glover on drums. Both attended UCLA, Ron studying cinema and graphic art and Russell, theatre arts and filmmaking. [9], Brothers Ron and Russell Mael grew up in Pacific Palisades, in western Los Angeles County, California,[10] during the "Golden Age" of the LA club scene, with the Doors, Love and the Standells regularly playing the Whisky a Go Go on Sunset Strip and the Beach Boys playing the afternoon event Teenage Fair. These elements are layered with a simple piano line to create a highly textured effect.[31]. Bright Sparks was produced by GForce’s Dave Spiers, who says of the free release: “It’s great to be able to bring it into the fold and make those inspiring encounters viewable by everyone. [6][7][32] Indeed, the predictable trends in much of modern rock, as they see it, served as inspiration for their latest album. For other lists, see Category:Documentary … [10], Relocating to England in 1973 with a new manager, John Hewlett, founder of John's Children,[14] and a deal from Island Records, thanks in part to the exposure garnered by their BBC Two Whistle Test performance,[5] they placed an ad in music weekly Melody Maker ("Wanted bass player for Sparks. The compositions were entitled "Where Would We Be Without Books?" "[87], Sparks have also been namechecked by indie pop band the Smiths. [11], Their very first recordings were made under the name of "Urban Renewal Project", on January 14, 1967 at the Fidelity Recording Studios in Hollywood. Nick Rhodes of Duran Duran stated about "This Town ain't ...": "There was something about them that was very different. In Germany, "When Do I Get to Sing 'My Way'" was the No. 1 airplay song for 1994 as well as being hailed critically for its poignant lyrics and touching melody. The ‘A Side’ of Bright Sparks, which focuses on the US pioneers, is live now, as is a behind the scenes ‘extra’ that introduces the project and focuses on Moog and Arp. Sparks would later release Lil' Beethoven's closing track Suburban Homeboy as a single. The album was performed with the 35-piece Heritage Orchestra. Netflix documentary says yes. There was a problem. [2] It spawned two singles in the top-fifteen UK chart: "The Number One Song in Heaven" and "Beat The Clock". [4][5] The 2002 release of Lil' Beethoven, their "genre-defining opus",[6] as well as Hello Young Lovers (2006, their 20th studio album), Exotic Creatures of the Deep (2008), and their fantasy radio musical The Seduction of Ingmar Bergman (2009–2010) brought Sparks renewed critical and commercial success, and saw them continue to "steer clear of pop conventions. The show was held at the John Anson Ford Amphitheatre in Hollywood. Half of the album was recorded by Tony Visconti in London with the other half recorded by the brothers in their own purpose-built studio in LA, surrounded by busts of Elvis. I was immediately fascinated with that song. The tour then took the group to Japan with concerts in Tokyo and Osaka in January 2013. This new "West Coast" sound yielded such songs as "Nothing to Do", "Everybody's Stupid", and "Throw Her Away (and Get a New One)". The only other lyrics in the song are "Red light", "Green light", "I'm Getting Mixed Signals" and "Sorry, I'm Going To Have To Put You Back On Hold". Four tracks were recorded with married couple Fred and Ronna Frank, who were close friends of the Maels at the time. Russell's hyperactive movements were in sharp contrast to the keyboard-bound, soberly dressed Ron's expressionless squint and Charlie Chaplin-esque moustache. [40][41] Though the songs were covers sung by Ray, they were arranged and produced by the Maels. Originally available as a Vimeo rental and paid-for-download, the great news is that this is now being made free to watch on YouTube. Both Ron and Russell Mael are seen in the audience during the Ronettes' section of the concert film The Big T.N.T. [65] Coinciding with the physical release of the album, an official music video for the song "The Existential Threat" premiered on YouTube, the animation created by English freelance animator and composer Cyriak Harris. Fans who bought a "Golden Ticket" (which allowed entry into all 21 gigs) also received a poster signed by the band and a CD single entitled "Islington N1", a reference to the postal address of the venue for the first 20 gigs. The song "Islington N1" was later made available in the box set edition of their "New Music For Amnesiacs" career spanning box set. [61] "Please Don't Fuck Up My World", the first single, was released in December. [30][31] Sparks lead off the album with the striking tune that the BBC deemed too provocative in its title to play, "Dick Around." Early career highlights included "This Town Ain't Big Enough for Both of Us", which reached No. The track was a collaboration with the Go-Go's rhythm guitarist and backing vocalist Jane Wiedlin (who at one time ran her own Sparks fan club[17]), and its success was in part thanks to Los Angeles' KROQ-FM radio station, which hailed them as local heroes. ", CS1 maint: bot: original URL status unknown (, Easlea, Daryl (2009). [56] They are featured on the Beck album Song Reader doing an ethereal rendition of his song "Why Did You Make Me Care." [28] The album is regarded as carrying on where Lil' Beethoven left off, being described as "... cynical, intelligent and very, very funny",[29] it has met with considerable acclaim. Balls, released in 2000, again put the band in a context of electronic instrumentation with some of Ron's most striking and perceptive lyrics. Record Collector magazine named the album as one of its "Best New Albums of 2002", describing it as "... possibly the most exciting and interesting release ever from such a long established act"[27] and later in 2003 saying "... it really does feel like one of the best albums ever made. My sister and I went out and immediately bought Indiscreet. [46], 2014 marked the 40th Anniversary of Sparks' most popular and most influential album, Kimono My House. In 2017, returning to a rock-group format, Sparks released Hippopotamus, which entered the UK Albums Chart at no. The ad was titled "The Big Adjustment" and depicted men, from various walks of life, attempting to secretly adjust their ill-fitting underwear to humorous effect. [47] The first night sold out within the first few hours. Must be beard free and exciting")[15] and through this hired Martin Gordon. New Order also delivered an extended live version of "When I'm With You" that same year in Milano. This they achieved with producer Rupert Holmes on Big Beat and (sans Holmes) on Introducing Sparks. Other early electronic acts like the Human League,[85] and Erasure,[86] also mentioned the group. "In an interview recently, the Human League cited that record as the thing that got them excited and focused on what they were doing. And no singer is gonna get in my way. Ron and Russell appeared as interview subjects in the 2009 documentary The Magnificent Tati, discussing their involvement during the early 1980s in Confusion, a proposed Jacques Tati movie for which a screenplay was written but never shot (due to Tati's death). On the second night, they announced that they had completed the recording of their new album. Marnie Simpson has sparked speculation that she and fiancé Casey Johnson have split after after three years together.. In 1994, the Maels released Gratuitous Sax & Senseless Violins, providing the hit singles "When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)". In 1976, Sparks made one of their first forays into the movie business, making a cameo appearance in the disaster-suspense film Rollercoaster, after Kiss turned down the roles. Canadian film director Guy Maddin provided directions based on the screenplay, with Ron and Russell reprising their recorded roles on stage. In April 2013, the show was presented for the first time in the US with two performances at the Coachella Festival. Steve Jones of the Sex Pistols said that he constantly listened to Kimono My House back in 1974 at Paul Cook's room. [45], In February 2014 it was announced the Sparks (Ron and Russell) are working on material with Franz Ferdinand. [53] On April 1, it was announced that the group's new album would be titled FFS and that it would be released on June 8 in the UK and on June 9 in the US. Hippopotamus was both a critical and commercial success,[59] peaking at number 7 in the UK Albums Chart. [103] Electronic band Justice hailed the group saying: "this is [...] something we like in music, this kind of epic feeling, [...] and we were really inspired by bands like Sparks [...] who have this really operatic sound". 60 in May 1982; the 1983 single "Cool Places" with the Go-Go's rhythm guitarist and co vocalist Jane Wiedlin, and "When Do I Get to Sing 'My Way'", which was the top airplay record in Germany for 1994. There then followed a long hiatus until 1994's Gratuitous Sax & Senseless Violins, which was a foray into the techno dance world, which they had helped to spawn back in the late 1970s. "[21] On May 18, 2010, Burton expressed renewed interest in adapting the property.[26]. [48][49][50][51] Alex Kapranos of Franz Ferdinand joined them on stage for duet with Russell on the song "When Do I Get to Sing 'My Way'" on both nights and it was then announced that Sparks and FF had joined forces to form a new, then yet-to-be-revealed band and to record an album. 1 in Heaven which relied on synthesizers. Ron Mael has explained: "This Town Ain't Big Enough for Both of Us" was written in A, and by God it'll be sung in A. I just feel that if you're coming up with most of the music, then you have an idea where it's going to go. The other three tracks were entitled "The Windmill", "A Quick Thought" and "As You Like It". A short US tour with shows in New York City, San Francisco, Los Angeles, Portland, Seattle, and Philadelphia followed. [90] Siouxsie and the Banshees recorded a version of the first Sparks' success as the opening song of their covers album Through the Looking Glass. Originally available as a Vimeo rental and paid-for-download, the great news is that this is now being made free to watch on YouTube. "[7], In 2015, the band released an album with Scottish indie rock band Franz Ferdinand, as the supergroup FFS, titled FFS. Bright Sparks Side B, which covers these people in detail, goes live on Thursday 18 February. They finally broke into the US singles chart with "Cool Places" from 1983's In Outer Space. "[55] It was also confirmed that the band would be releasing a studio album in 2015 with producer John Congleton and that the band would be touring in the summer. He said about their music: "It's only after a few listens you really can get into it [...] Then you really fall in love and bands change your life. [20] In 1989, they scored a hit single in France and in Europe with "Singing in the Shower", sung in duet with Rita Mitsouko: the single was produced by Tony Visconti. Joy Division's drummer Stephen Morris stated: "When we were doing 'Love Will Tear Us Apart', there were two records we were into: Frank Sinatra's Greatest Hits and Number One Song in Heaven by Sparks. Early albums such as Kimono My House combined glam rock with elements of bubblegum pop and baroque music. 1 in Heaven - Sparks - Songs, Reviews, Credits, Awards", "Expect the Unexpected: A Conversation with Sparks", "Sparks: New Music for Amnesiacs, the Ultimate Collection", "Collect-a-Page (Dave Gahan's questionnaire)", "Collect-a-Page (Martin Gore's questionnaire)", "Here are Thurston Moore's favorite songs of all time", "Ween singer-guitarist talks about the offbeat alt-rock band's evolution", "Sparks "Tryouts for the Human Race" (and "The Number One Song in Heaven")", "The Sparks Project: Cait Brennan on Sparks", When I Kiss You (I Hear Charlie Parker Playing), https://en.wikipedia.org/w/index.php?title=Sparks_(band)&oldid=1007207065, Articles with dead external links from June 2009, CS1 maint: bot: original URL status unknown, All Wikipedia articles written in American English, Articles with unsourced statements from February 2019, Articles with unsourced statements from August 2016, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 February 2021, at 00:15. They had grown tired of recording within a traditional rock band framework and were determined to take their music in a more electronic direction. Long-time fan Morrissey invited Sparks to perform at the 2004 Meltdown Festival, of which he was curator. Released in December 2015, GForce’s Bright Sparks documentary tells the story of eight electronic musical instrument pioneers. [citation needed], Since 2011, the band have been pursuing the idea of turning The Seduction of Ingmar Bergman into a feature film. Bright Sparks Documentary - A Side video by GForce Software "The A Side of the critically acclaimed Bright Sparks documentary, created in conjunction with the I Monster album of the same name, focuses on US based electronic music pioneers, including Bob Moog, Don Buchla, Alan R Pearlman and Harry Chamberlin. The 18-city European tour titled "Two Hands One Mouth" began in Lithuania and followed in Latvia, Finland, Norway, Sweden, Germany, Belgium, the UK and Ireland. MusicRadar is part of Future plc, an international media group and leading digital publisher. Please refresh the page and try again. In 2010, Sparks remixed Yoko Ono's song "Give Me Something". The two songs mark the first time in 21 years that the Bookworm show has used a new theme song, these being commissioned by show host and Sparks fan Michael Silverblatt. By 1977 the brothers found themselves at a crossroads. 2 hit with the single "This Town Ain't Big Enough for Both of Us", despite Elton John betting producer Muff Winwood that the song would not break into the charts.[16]. "[2] Repeated lyrical motifs have become a distinct feature on recent albums. The song was produced by the Scottish dance band Finitribe. In Paris they were joined on stage by Catherine Ringer from Les Rita Mitsouko to sing on their 1989 collaboration "Singing in The Shower". [52], On March 9, 2015, it was announced that the band had formed a supergroup with Franz Ferdinand under the name FFS. Exploring what drove these passionate engineers to create their iconic instruments, the film features contributions from the likes of I Monster’s Dean Honer and Jarrod Gosling, Will Gregory (Goldfrapp), Rick Smith & Karl Hyde (Underworld), Alessandro Cortini (Nine Inch Nails), Billy Currie and Chris Cross (Ultravox), Daniel Miller (Mute) and Adrian Utley (Portishead). [80] Joy Division cited "Number One Song in Heaven" as a primary influence during the recording of "Love Will Tear Us Apart". "Franz Ferdinand had erupted in early 2004 [...] Alex Kapranos, their lead singer, did a piece in the, Easlea, Daryl (2009). Haydon also appeared in the videos for "When Do I Get to Sing 'My Way'" and "When I Kiss You (I Hear Charlie Parker Playing)," which were both directed by Sophie Muller. In October, Ron and Russell performed for the first time ever as a duo, with no band. Influential 1970s progressive FM radio station powerhouse WMMS in Cleveland and its famed DJs such as Kid Leo initially championed the band in America. Finding the electronic equipment that they had adopted for their new sound too cumbersome for touring, the band returned to the more conventional band format for their next three releases, although they did not eschew synthesizers entirely: Whomp That Sucker, Angst in My Pants (two tracks from which appear later in the 1983 movie Valley Girl)[19] and In Outer Space. In interviews for Swedish newspapers, the band said they hoped to be able to theatrically stage the musical as well as turn the musical into a feature film.
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