January’s Book Club Pick: Jia Tolentino on the ‘Unlivable Hell’ of the Web and Other Millennial Conundrums. ], The brief answers to these questions are: not very good things, and not very good people. See the full list. She is a staff writer for The New Yorker. In 2019, she published an essay collection called Trick Mirror: Reflections on Self-Delusion. "Esquire "A whip-smart, challenging book." Broadcasting & Media Production Company. NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino … What’s the most interesting thing you learned from a book recently? We often confuse professing an opinion — posting, liking, retweeting — with taking political action. [ Tolentino’s new book, “Trick Mirror,” was one of our most anticipated titles of August. No shots to Chaucer and “A Separate Peace” and all that, but I think a lot of people might be far more interested in reading (and possibly more interested in other lives in general) if they got to read books like this in high school. ... at bus stops, and over highway exits. Which writers — novelists, playwrights, critics, journalists, poets — working today do you admire most? Which genres do you especially enjoy reading? In these nine stunning pieces, … Tolentino’s … in fiction from the University of Michigan. “I loved watching people try to figure out if they had something to say.”. “The personal is no longer political in quite the same way that it was,” she wrote in an essay for The New Yorker’s … For example, I only recently realized that when people turn 30 they are completing their 30th year of life rather than beginning it. “Kids These Days,” by Malcolm Harris. I almost keeled over on the spot. It’s possible that I’d have grasped that basic fact and many others much earlier if my head weren’t so stuffed with so much minutiae about the Shackleton expedition, so many descriptions of light from James Salter short stories, all these invisible psychosocial landscapes from all these books. Who do we become when we’re always being watched? Tolentino persuasively compares betting on stocks to crowdfunding money for medical emergencies: “if you’re super lucky, if everyone likes you, if you’ve got hustle … you might end up being able to pay for your insulin, or your leg surgery after a bike accident.” Overwhelmed by the injustice she sees around her, she reflects on her own “ethical brokenness”: “I have felt so many times that the choice of this era is to be destroyed or to morally compromise ourselves in order to be functional — to be wrecked, or to be functional for reasons that contribute to the wreck.” You can refuse on principle to use ridesharing apps or to rent from Airbnb, but you might end up panicked and sweating on another broken-down subway train, late to a job that doesn’t cover your travel expenses but that expects that you, like a savvy scammer, will figure something out. Channeling the sociologist Erving Goffman, Tolentino explains how “online, your audience can hypothetically keep expanding forever, and the performance never has to end.”. A really good middle-grade novel — and this book, a “Wrinkle in Time”-esque mystery set on the Upper West Side in the late 1970s, is a phenomenal one — will supersede a lot of contemporary fiction in terms of economy, lucidity and grace. I’ll read almost anything, though I don’t love reading about history and science as much as I love whatever I learn. Tolentino writes with an inimitable mix of force, lyricism and internet-honed humor. Elsewhere, she underscores the importance of building solidarity among different social groups. Jia Tolentino. Now a staff writer at The New Yorker, Tolentino has made her own foray into self-study in her absorbing first book, “Trick Mirror: Reflections on Self-Delusion.” The book is a collection of nine original essays, some of which have their roots in writing she’s done for The New Yorker; each is a mix of reporting, research and personal history. She is the author of the acclaimed essay collection, Trick Mirror: Reflections on Self Delusion, which hit … Jia Tolentino Wants You to Read Children’s Books. I’m not sure that I’ve ever had a purely emotional or purely intellectual reaction to anything, let alone to anything I was reading. Jia Tolentino is a young and terrific writer, who is a staff writer for The New Yorker. You’re a digital native, and your publisher describes you as “what Susan Sontag would have been like if she had brain damage from the internet.” Do you find it difficult to tune out distractions and sink into a book? What kind of reader were you as a child? Still, Tolentino, who once edited this kind of writing for The Hairpin and Jezebel, found herself occasionally nostalgic for the authorial voices that developed during the personal essay’s heyday. Like Didion, Jia … If I could stop time right now I’d lie down in the grass somewhere and go straight through from beginning to end. The book’s first essay, on the “feverish, electric, unlivable hell” that is the internet, makes a good case for the degradation of civic life in Mark Zuckerberg’s America. This kind of fatalism, dispiriting but perhaps fair, runs through the book. Even as online movements such as #MeToo have forged female solidarity, they have also pressured women to be vulnerable, to cede control of their own stories — in the same way, not incidentally, that the online personal essay industry once did. We’re not all Billy McFarland, the scammer behind the Fyre Festival, but, in a country transformed by financialization and the gig economy, we’re all making risky bets. Most writing about millennials has tended to focus on effects rather than causes: After all, it’s easier to make a spectacle of the ways instability manifests itself in young people than it is to really reckon with the fact that capitalism has reached a stage of inexorable acceleration that has broken our country’s institutions and (arguably) my generation’s soul. When you purchase an independently reviewed book through our site, we earn an affiliate commission. … Washington Post. These are distinctly millennial sentiments, the complaints of a generation that has come into political consciousness only after investing so much in false meritocratic promises. Jia Tolentino … Raised in Texas, she studied at the University of Virginia before serving in Kyrgyzstan in the Peace Corps and receiving her MFA in … Turtle Wexler from “The Westing Game” and Undine Spragg from “The Custom of the Country.”. Jia Tolentino … Jia Tolentino, author of our January pick for the NewsHour-New York Times book club, recently answered questions submitted by readers about her essay collection, “Trick … But after the 2016 presidential election, such pieces started to seem petty, self-indulgent, naïve. You once described yourself as “an obsessive and catholic reader.” What moves you most in a work of literature? In “Ecstasy,” a lovely meditation on selflessness in all its forms, Tolentino writes movingly about leaving the evangelical church in which she was raised. In part because I am very aware of what the internet is doing to my sense of scale and reason, I spend a good amount of my life seeking out states of being — like reading — that are so consuming and pleasurable that I won’t grab my phone and interrupt. What book should everybody read before the age of 21? Tolentino concludes that only “social and economic collapse” could rid us of this digital plague. What’s your favorite book no one else has heard of? Several of the essays are about losing faith: in institutionalized religion, in the American dream, in the fundamental kindness of others. In May 2017, Jia Tolentino declared the personal essay dead. The work of being yourself online is relentless, exhausting. Disappointing, overrated, just not good: What book did you feel as if you were supposed to like, and didn’t? Join Kelly McMasters, a professor at Hofstra University, for a conversation with Jia Tolentino, the author of the essay collection “Trick Mirror” and a staff writer at The New Yorker. In an essay on exercise culture and “optimization,” Tolentino notes how her own exercise regime, which consists mostly of expensive barre classes, is both “a good investment” and “a pragmatic self-delusion” — she is training herself to “function more efficiently within an exhausting system” from which she cannot escape. There are plenty of beloved books I don’t like at all — the most demographically fine-tuned version of this for me is probably Chris Kraus’s “I Love Dick.” But I have a hard time accessing a sense of “supposed to” with pop culture. I would read while Rollerblading around my neighborhood, read while eating, read in the car, read in the bathtub — my books were stained, swollen, ripped to shreds. I’d join a book club that just discusses it every month for a year. ]. Moderated by: JIA TOLENTINO . “The personal is no longer political in quite the same way that it was,” she wrote in an essay for The New Yorker’s website. And which do you avoid? What she likes about a drug like Ecstasy, she explains, is that it literally produces empathy. She has realized that moral purity is a “fantasy,” but she might also acknowledge a more hopeful truth: Though the shearing forces in our lives inevitably compromise us, they need not paralyze us. [ “Trick Mirror” was one of our most anticipated titles of August. She grew up in Texas, went to University of … I remember things from kids’ books much more clearly than I remember anything about my life even a few years ago. The Three-Body trilogy makes insignificance and unknowability and futility seem so spiritually exciting that I felt breathless. I’d memorize the copy on the Herbal Essences bottle in the shower; I read “Gone With the Wind” about 20 times in fourth grade. Jia Tolentino Wants You to Read Children’s Books. This is a productive self-delusion, the kind of fantasy that inspires rather than cripples. I read “Gone With the Wind” … pbs.org — Feb 1, 2021 7:25 PM EST Jia Tolentino, author of our January pick for the NewsHour-New York Times book club, recently answered questions submitted by readers … Jia Tolentino is a staff writer at The New Yorker. NEW YORK TIMES BESTSELLER - "From The New Yorker's beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television. “The Fourth Child is keen and beautiful and heartbreaking—an exploration of private guilt and unexpected obligation, of the intimate losses of power embedded in female adolescence, and … What?! Her writing has also appeared in The New York Times Magazine and Pitchfork. Your favorite antihero or villain? As a staff writer at the New Yorker, Houston native Jia Tolentino has established herself as an acute observer and translator of the internet — the absurd memes, the nuances of … Magazine. Jia Tolentino is a young and terrific writer, who is a staff writer for The New Yorker. Five years ago, readers salivated over “it happened to me” essays posted daily on women’s websites. Jia Angeli Carla Tolentino (born 1988) is an American writer and editor. Do you prefer books that reach you emotionally, or intellectually? Her voice here is fully developed: She writes with an inimitable mix of force, lyricism and internet-honed humor. “Death’s End,” the final installment of Liu Cixin’s Three-Body trilogy, in which the narrative and conceptual momentum of the series takes off at a scale and velocity I couldn’t possibly have imagined before reading. A couple of years on and "Trick Mirror" is a New York Times best-seller, praised for pretty much what Tolentino is known for in her work in the US as the former editor at Jezebel and a staff writer at the New … Nearly everything about being alive feels embarrassing, but the enormous gap between what I’d like to have read and what I have actually read does not. Tolentino wants to know how Americans, particularly those of her generation, have adjusted to life under late capitalism. “I am moved by the negotiation of vulnerability,” she wrote. Jia Tolentino is a staff writer at the New Yorker, formerly the deputy editor at Jezebel and a contributing editor at the Hairpin. A breakout writer at The New Yorker examines the fractures at the center of contemporary culture with verve, deftness, and intellectual ferocity — for readers who've wondered what Susan Sontag would have been like if she had brain damage from the internet. I credit Tolentino for examining her complicity in the structures she critiques, but at times I wished she would go easier on herself, or that she’d keep working to transcend the contradictions she observes. … It’s the book’s strongest essay, as well as its least vexed. Jia Tolentino is a staff writer at the New Yorker and the author of the New York Times bestseller Trick Mirror. Jia Tolentino The New York Times Magazine. NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino … Her work has appeared in the New York Times, The New York Times … I’m a big believer, anyway, that reading is like eating: The most fun lies in finding a match for your mood. The only books I actively avoid are the “how X explains all of human civilization” books — the type seemingly written for men who love a counterintuitive idea but find complex thought disturbing — as well as those “how to be a perfectly imperfect goddess who doesn’t give a f**k” books. She is the author of the acclaimed essay collection, Trick Mirror: Reflections on Self Delusion, which hit every 10-best list from NPR to the New York Times, to Good Housekeeping. I read whatever I feel like reading, and if neither the book nor my reaction to it interests me, I put it down without another thought. Friday, June 26, 7pm. In many ways, “Trick Mirror” is a cri de coeur from a writer who has been forced to revise her youthful belief in American institutions. ... [ Tolentino’s new book, “Trick Mirror,” was one of our most anticipated titles of August. The New York Times Magazine, 2019. Tolentino’s earnest ambivalence, expressed often throughout the book, is characteristic of millennial life-writing, and it can be contrasted with boomer self-satisfaction and Gen X disaffection in the same genre. I’ve got a mental encyclopedia of useless sensory details: the lavender-and-black bathroom in “Starring Sally J. Freedman as Herself,” the tin peddler’s wares in “Farmer Boy,” the meals that Francie Nolan helped her mother make from stale bread. But Tolentino, a New … Book Club Pick for Now Read This, from PBS NewsHour and The New York Times "A whip-smart, challenging book." As it is, I read a hundred books a year and it doesn’t seem to matter — there will always be so many books I haven’t read yet, and I will always be kind of stupid no matter how much I read. Later, in an essay on scam artists and confidence men, she depicts capitalism as the ultimate scam — one exposed once we reckon with the arbitrariness of success, or even of survival. NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino …
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